Iain Farrington

Pianist, organist, composer, arranger

Johann Sebastian Bach - Christ lag in Todesbanden, BWV 4 for Choir and Chamber Orchestra


Johann Sebastian Bach (1685-1750) composed numerous cantatas throughout his distinguished career, and one of the earliest is Christ lag in Todesbanden, probably written between 1707 and 1713. The work is entirely based on the chorale tune and text, each movement being a setting of a different verse with the chorale used as a cantus firmus in either the voices or the orchestra. It may have been intended for an Easter Sunday service owing to the choice of text. The mood is severe and sombre, consistently in E minor, with some virtuosity required from instrumentalists and singers. The original scoring is for strings (with two viola parts) and four vocal parts.


This arrangement was made in 2012 to precede performances of the opera Der Kaiser von Atlantis by Viktor Ullmann (1898-1944). Ullmann’s opera was composed in the Nazi concentration camp at Thereisenstadt around 1943, and has an unusual chamber scoring. It finishes with the chorale Ein Feste Burg ist unser Gott in a quasi-Baroque mould, drawing a direct link to Bach. The Ullmann scoring is replicated in this Bach arrangement, creating some piquant and 20th century timbres, especially with the use of clarinet and saxophone. Bach’s score is followed without alteration, but the reorchestration is free and varied. Where the original is for continuo with no harmony given, there are unconventional solutions provided. It is deliberately ‘inauthentic’ following in the tradition of Schoenberg and Webern‘s reworkings of Bach’s music.


Available to purchase from Aria Editions here


Instrumentation: Flute, Oboe, Clarinet in A, Alto Saxophone, Trumpet in C, Guitar, Violin I ,Violin II, Viola, Violoncello, Double Bass (11 players)


Listen to extracts from a live performance here:


Sinfonia

Versus III

Versus V

Versus VI